For over 40 years, I have been a potter for the shear, simple joy of making things with my own hands, struggling to bring ideas fully into form, watching the studio fill up with fresh pots.  Each working cycle I try to renew that passion, found when I first touched clay.

I look to subtlety and nuance as the foundation for my aesthetic.  The essence that I seek in this aesthetic is a stripped, almost brutal, rawness.  I want my pots to engage people where they live, and to play a part in their savoring of life.  It is important to me that my pots end up somewhere people are cooking and eating and sharing.    I am continually amazed by the sweetness of this life.

These are simple pots, with quiet but robust surfaces, made in a scale meant to convey generosity.