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At the moment I make each pot, it is the best pot I can create. I work in short series; making one pot after another till a ware board is full. The first pot informs the second, and those two offer direction for the third and so on. Each firing informs the next throwing cycle. My job is to become aware of all this information, make sense of it and synthesize it in the clay on the wheel. I believe that a good pot resonates when the sum of its elements harmonize in an eloquent statement.
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